In college, one of my close friends was constantly winning contests, awards, and scholarships. At one point he told me that the secret to his success was to enter every contest possible. Often, he found, only two or three people (on a campus of 30,000 students) would enter into a given short story contest, so his odds were incredible. He would often win some cash prize, usually between $50 and $500, and got his stories published in all sorts of collections, which later helped his graduate school applications.
Let me tell you about another type of contest. I got an email this morning that basically said this:
Make a commercial for our company and you could win $1000 and have your commercial shown all over the internet!
From the point of view of an up-and-coming media developer or advertising student, $1000 could seem like a huge cash prize. The contest holder hopes to get hundreds of submissions from young “undiscovered” talent and they just pick their favorite one and pay them for the commercial.
If you’re considering such a contest, let me help you understand the point of view of the contest-holder. They need a commercial and the ad agency just quoted them somewhere between $5,000 – $25,000. Finances are tight and there isn’t cashflow right now, so what to do? They decide to crowd-source. Hundreds of innocent and talented young kids spend huge amounts of time and effort, trading in favors, borrowing equipment and putting their all into a commercial for the company. One of those kids gets paid far below market value and has the great prestige of having worked for cheap to make a non-professional ad for a cheapskate company. The rest go home empty-handed.
Sure, everyone else gained experience, but I hope that the main lesson they learn is this: don’t work for free, don’t work for cheaper than you can afford, and don’t enter so-called contests for companies that don’t value your time or talent. One of the worst things that can happen is that the terms of the contest often state that all submissions become the property of the contest holder. In other words, they may have gotten 50 great ads and only paid for one. Regardless of whether they have a rights-grab clause in the contest terms, you’re making a commercial that will likely be entered through YouTube, which means that their brand is still getting out there and flooding social media channels. And it didn’t cost them a dime for you to make it.
In the case of my college friend, the contests he entered often called for work that had already been made (which certainly isn’t the case for any company asking for amateurs to make commercials for them). His rewards included respectable cash prizes and real publication opportunities. In the case of these corporate work-for-me-for-free-or-cheap “contests” the winner doesn’t even get much to show for it.
Imagine applying for a job with this on your resume: “I made a commercial for Brand X Toothpaste and got drastically underpaid for it.” The only thing that tells your employers (or potential media clients) is that you are foolish and can likely be taken advantage of.
I echo my friend’s wisdom: apply to contests! Apply for scholarships! You never know who else will apply, and you may win! But be cautious of so-called contests that are dishonorable tools for shady organizations to get commercial content for free or cheap.


5 Comments
I love this! I’m asked FAR too often to enter these things and I’ve always had the same sentiment. It’s too bad too, because students should be using that time and talent to discover themselves through the medium of film rather than devolving to the lowest common denominator of this medium: Marketing. Most film grads will get plenty of opportunities to do this later in life…sigh…
I feel that if the same energy that went into such a contest submission were put into finding a client and doing work for that client, then at least the student would have real-life business experience and would probably actually get paid…. sigh….
If I got a dime for every facebook post ‘Vote for my picture in this contest, I might win a studio light setup’….. If these folks put the same effort into finding clients and increasing their skill base, they would be able to afford to buy something much better than the cheap junk given away for free. People forget how valuable time is and waste too much of it on poor investments.
You’re both describing the great evil of the media-centered world we were born into: exploitation.
Let’s just say that in ten years, every last official ‘Gladiator’, ‘Ninja Warrior’, and Wipeout guest [insane- why would you ever run that course?!] will be forgotten, for the same reasons. And while shows like the X-Factor and America’s Got Talent definitely provide more ‘flavor’ than other stuff on TV, they provide zero substance or culture.
But, as you mentioned, thousands of very skilled performers risk serious damage to branding/career, and spend their own time and money to show up and put on the best performance they’re capable of- with no guarantee of even 5 seconds of airtime. The same number of hours of preparation go into a good audition for the ballet, ballroom troupe, or the opera, and would lend genuine credibility to that performers’ CV for a lifetime- regardless of the direction they choose to take later on.
If those guys were TRUE ninja warriors they’d never let anyone know their names…. Just sayin’.