I’ve updated my demo reel! It has a bunch of projects I’ve done since my last reel (plus a few old clips that never made it into any previous reel). Enjoy it and let me know what you think!
For fun, here’s my reel from the last year, as well:
I’ve updated my demo reel! It has a bunch of projects I’ve done since my last reel (plus a few old clips that never made it into any previous reel). Enjoy it and let me know what you think!
For fun, here’s my reel from the last year, as well:
I have been using Apple computers since about 1991 (when I was 10), when I bought a used Mac Plus from my neighbor, an architect. I have owned a steady line of Macs since then, even though my parents and (later) employers often insisted on using Windows machines. I am highly competent in Windows 95 through XP, but have always been dissatisfied with its lack of core stability and Microsoft’s apparent lack of concern for the end user experience.
I’m not alone in the media world. Though Windows and Linux machines are often found on many media desks, Apple computer has been the primary tool of choice for photographers, designers, artists, editors and musicians since at least the mid-1990s (if not much earlier).
In the last three years, however, media professionals have become increasingly dissatisfied with Apple Computer. Some of the grievances include:
Apple is gradually moving away from the niche pro market (a few million users) to a the mainstream market (hundreds of millions, potentially a few billion users). Following the booming success of the iPod and iPhone, more and more casual users are switching to Mac and Apple wants to accommodate them.
From a business standpoint, Apple is under the legal obligation to maximize profits for its shareholders. As I write this, Apple is the most profitable company in the world, but competition from Google, Samsung and other high-tech companies is fierce and intensifying. If Apple wants to make as much money as possible, they seem to have decided that they can’t afford to invest in the relatively-miniscule, high-maintenence world of professionals. True, Apple’s marketing team hasn’t entirely abandoned professionals yet, but it’s clear that the development end is weaning us off of the Mac.
Fair enough, but where do we go now? Who will rise up to replace Apple? Continue reading
Media is an unavoidable juggernaut of influence that both grows from our society and feeds back into it. When media professionals create, they are essentially either nurturing or poisoning society through every creative decision.
Through the history of storytelling, enormously talented people have helped to shape public opinions and sensibilities. Ancient kings and queens used to hire bards and pay them handsomely to entertain the masses with songs about their great empire. These rulers hoped to sway public opinion and create a narrative that would endure beyond their reign, and storytellers were one of their most powerful weapons. That tradition still endures in most of the world, though it’s draped in layers of subtlety and complexity.
I write this from the perspective of a budding bard who has been hired by all sorts of figurative kings to help tell the tales of their conquests. I primarily direct music videos and commercials, but I’ve spent years working in Television, documentary film, and the performing arts. I’m frequently asked to use my skills and talents to promote ideas, music, and brands. I work a lot and most of my experiences have been amazingly positive. I’ve worked with hundreds of talented, motivated, hard-working, gifted people, and I’ve studied them closely along the way.
Occasionally, however, I decline a project. Let me explain why.

As a matter of policy, for a number of reasons, I generally don’t mix my professional work with religion or politics. There’s a critical point where my beliefs and my professional life intersect, however, and that’s what this blog post is all about.
First, let’s talk about where I’m coming from, and what all of this is based on. I know that it’s increasingly uncommon and increasingly unpopular, but I believe in God. I believe God is our creator and someday will be our judge. I believe that this life is both a test and a lesson. It’s a time to grow in our ability to become more like God is, to learn to love others, and to grow in the face of adversity and overcome challenges. I believe that families are sacred and that our relationships with other people are one of the most critical aspects of life.
I believe that everybody is accountable to God for their time and talents – God gave us life, gave us each unique propensities, interests and strengths, and I believe that he will hold each of us accountable for how we use those gifts during our time on earth.
Statistically, a large portion of you are shaking your head right now, convinced that I’m an idiot. Or maybe I’m only mislead? Maybe you’re concerned that I’m dangerous and am going to try to force you to live your life like I do. Maybe you’re angry with me for being so narrow-minded. Maybe you’re ordering a copy of Marx on Religion right now (Die Religion … ist das Opium des Volkes; “religion is the opiate of the masses”), planning to have Amazon ship it directly to my office, which you somehow got the address for by using some stalker-fu. Maybe you think you’re the one who’s going to change my worldview with the same argument that convinced you to whatever your belief system is.
Shari Whyte hired me to make media to promote her new young adult fantasy novel, “Stelladaur: Finding Tir Na Nog.”
One of the awesome things about today’s cameras is that I was able to shoot both the video footage for the trailer and still photos for the website and book promotion without having many problems.

I was able to work with my friend Richard Williams on this book trailer (he scored “Time Withers” and this Settlers of Catan spoof), and Paul Cardall provided the music for the video we made that introduces the Stelladaur Academy (an online forum and learning area for young adult students).
Check out the book on Amazon and poke around the book’s website!
Ryan Abeo, AKA RA Scion (of Common Market), and his wife Mariangela are two of my favorite people to work with. My first real music video was for “Soothsayer,” part of RA Scion’s Victor Shade project. I’m still not sure how or why they trusted me to make that video since I was new to the Seattle hip-hop scene. It’s still one of my favorite projects, mostly because of the people I was able to work with, and it was a pleasure to get together again and make something totally different.

“Soothsayer” was very cinematic at times, very theatrical at others, very dramatic, very austere, and filled with insanely specific symbolism. “Guttersnipe Bridge” lies somewhere on the opposite side of that spectrum: it’s stripped-down, candid, friendly, and simple. We see Ryan driving his car through traffic in Seattle, picking up his daughter from ballet practice, and heading to a show at The Crocodile. (Madison gave us a few great casual and beautiful dance moments, fulfilling my secret goal to work dancing into every music video I possibly can.)
In an age of rap videos filled with strippers and cocaine, we really wanted to make something honest, with integrity about the life that the artist leads. I hope you enjoy it!
“Guttersnipe Bridge” by RA Scion, produced by Todd Sykes. From RA Scion’s new LP, “Adding to the Extra.”
Directed by Garrett Gibbons.
Camera: Canon 5D Mark 3.
Lenses: Canon 24-70 2.8L, Canon 85 1.8, Tokina 11-16 2.8
Camera support: JAG35 Field Runner, RigWheels RigMount X car mount, Glidecam HD-2000
