Category Archives: Dance

Garrett Gibbons Demo Reel 2013

It’s been a while since I’ve updated my demo reel. Maybe I was just waiting for the right musical inspiration? This one is long – just over four minutes – but I also made a 90-second sizzle reel for those with less interest or shorter attention spans. Thanks for watching! It’s been an amazing last few years.

Here’s the full-length version, set to “On Saturnalia Eve” by RA Scion (feat. Blake Lewis):

Also, the 90-second version, set to “Woodwalker” by RA Scion (feat. Mark Shirtz):

UPDATE: Just for fun, here are my older demo reels!

Jan 2012 Demo Reel:

Jan 2010 Demo Reel:

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Dance choreography films for Katie Baillie

Dancer, teacher and choreographer Katie Baillie hired me to direct, film and edit two of her pieces of choreography. She took care of the dancers and costuming; I picked the set, lighting, and the film-related aspects. The resulting two pieces are very different from each other, but showcase her diversity as a choreographer.

Carmen

“Carmen” – Dance Choreography by Katie Baillie from Garrett Wesley Gibbons on Vimeo.

Myym

“Myym” – Dance Choreography by Katie Baillie from Garrett Wesley Gibbons on Vimeo.

I primarily used a Canon 5D mkiii for these shoots, supported by an 8′ Kessler Crane, which was a lot of fun to haul out into the field. Thankfully, Luke Wesson helped me tote gear before he took behind-the-scenes photos.

Photo by Luke Wesson

Photo by Luke Wesson

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How to film and edit dance

How to film and edit dance to convey spatial continuity

Why do dance-centric films and television vary so widely in their ability to engage viewers? What principles can we follow to better convey the energy, beauty and athleticism of live dance, even though audiences will view the film in conditions that are highly detached from the live experience?

This topic merits a long book, rather than a blog post, and I’m purposefully ignoring many aspects of dance on screen, including the arts of choreographing for the screen, creating or choosing a set that works well for filming dance, staging dancers within that set, costuming dance for film, and varying techniques of lighting dance for film. For today, my emphasis will stay on two aspects: the camera and editing.

I will add to this post over time, so if you have any questions or suggestions, please leave a comment below.

Filming Dance

1. Lens Choice

I have read a lot of discussion in the academic community about the supposed difficulty of translating a three-dimensional art form (dance) into a two-dimensional space (the screen). While those challenges would in theory apply to any performance art displayed on the screen, I suspect that this discussion stems from a generally-perceived flattening of 3D space and loss of location reckoning when audiences see dance on screen.

“Matched” (presented by The LXD, directed by Charles Oliver, DP Alice Brooks), was originally filmed and presented in 3D. Is its impact lessened in 2D?

Continue reading »

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2012: A year in photography

Garrett’s favorite photos from 2012, taken by either Garrett or Jill Gibbons for Aderyn Productions.

Aderyn Productions Commercial Portrait and Wedding Photography in Seattle
Aderyn Productions Commercial Portrait and Wedding Photography in SeattleAderyn Productions Commercial Portrait and Wedding Photography in Seattle
Aderyn Productions Commercial Portrait and Wedding Photography in Seattle
Aderyn Productions Commercial Portrait and Wedding Photography in Seattle
Aderyn Productions Commercial Portrait and Wedding Photography in Seattle Continue reading »

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“Go” by Theoretics

I love collaborating with Theoretics. We filmed this in about 6 hours at West of Lenin in Fremont (Seattle). Spencer Abrom is our featured dancer. Don Gunn recorded and mixed this track. Ramzey Staples was a Production Assistant and I directed, filmed, edited and colored the piece.

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