Visual storyteller specializing in music and dance media. Based in Seattle, serving the world.
- “Grief” – A Dance Short Film
- “Run Away” – A Dance Short Film
- TV ads for Liberty Coin & Currency
- Republic Services Roosevelt: Generating Power from Refuse
- Blackmagic 4K tests: battery life, data and record time
- Timelapse for Buzzfeed
- Roxanne – Tango Short Film
- “Sharper Tool; Bigger Weapon” – The RA Scion redux
- Three web Spots for Familyshare.com
- Garrett Gibbons Demo Reel 2013
- Ayron Jones & The Way – Feedin’ From the Devil’s Hands
- You don’t know what the word “Storyboard” means, do you?
- Dance choreography films for Katie Baillie
- How to film and edit dance
- Walking through Machu Picchu
Category Archives: Portfolio
“Run Away” is a short film based around the dance known as Rumba, performed in the International Latin Ballroom style. It is part of my not-for-profit Dance Short Films project.
The creation of this short film began when I heard “Don’t,” a beautiful and haunting piece of music by Camila Recchio. I immediately asked her for permission to use it for a dance piece, then began talking to dancers. Natalya and Umario ended up finding inspiration in the song, and after I gave them a few general story beats and concepts and images that I wanted to include, they choreographed the movement and developed the story between the characters.
“Run Away” has many themes, which may mean different things to different people at different times. To me right now, it’s about the death of a relationship. It shows the tragedy of a once-thriving friendship that is now dead at the core. In many ways, this short film deals with similar themes and visual motifs as my short film “Time Withers” (2011) (choreographed by Elisha Thompson), but while that film ends on a hopeful and inspiring note, this one is deeply tragic.
- Directed, Filmed & Edited by Garrett Wesley Gibbons
- Performance & Choreography by Natalya Zrazhevskaya & Umario Diallo
- Music: “Don’t” by Camila Recchio (Produced by EOM & Andrew Savoie). Used by permission, All rights reserved
- Production Assistants: Daniel Suchman & Race Newkirk
- Filmed on location at Blakely Harbor on Bainbridge Island, Washington
I filmed this entirely in 4K on the Blackmagic Production Camera 4K (some shots in ProRes 422 and others in CinemaDNG raw for a little more dynamic range), using an assortment of Canon EF L-series lenses. The camera was often mounted on either a Kessler Crane KC-8 or a JAG35 shoulder rig. The SmallHD AC-7 SDI monitor was invaluable on this shoot, since its color rendition and brightness outdoors is far superior to the built-in display of the Blackmagic Production Camera.
Camera setup from yesterday’s @danceshortfilms shoot: Blackmagic 4K, SmallHD AC-7 monitor, Kessler Crane, Switronix V-mount battery pack. A photo posted by Garrett Gibbons (@garrettgibbons) on
The editing workflow involved first using Resolve to create 1080p proxy files (with a basic Rec 709 lut applied), which I used for editing. Once the edit was locked I exported a shot list that was used to conform the edit to the source media in Resolve, where I finished the coloring process and exported in 4K. The fade-in effects and a few final visual effects were then added in After Effects (the transitions were created using the Video Copilot plugin called Twitch), including a bit of extra sepia processing on the “happy past” clips (because I wasn’t entirely happy with the look I created for it in Resolve). The closing titles were also created in After Effects.
I recently had the pleasure of filming this short dance film with Natasha and Umario for DanceShortFilms.com. We filmed in one of the oldest buildings in Seattle, located in Belltown.
Just for fun, I made a reverse version. It was fascinating for me to watch so I uploaded it as well!
It’s been a while since I’ve updated my demo reel. Maybe I was just waiting for the right musical inspiration? This one is long – just over four minutes – but I also made a 90-second sizzle reel for those with less interest or shorter attention spans. Thanks for watching! It’s been an amazing last few years.
Here’s the full-length version, set to “On Saturnalia Eve” by RA Scion (feat. Blake Lewis):
Also, the 90-second version, set to “Woodwalker” by RA Scion (feat. Mark Shirtz):
Here’s the latest music video I’ve directed, “Feedin’ From the Devil’s Hands” by Ayron Jones and The Way. This group was awesome to work with, and I’m also especially grateful for the other Seattle-based musicians and performers (including Sir Mix-a-Lot, Grynch, Davin Stedman from Staxx Brothers and Kitty Kitty Bang Bang) for being involved.
I highly recommend checking out some of their other work, including this bluesy jam, “Baptized in Muddy Waters,” produced by the excellent Session Seven Media in Seattle. Ayron Jones & the Way will be playing at Bumbershoot 2013, and their full-length album will be released this Fall.
I was fortunate enough to visit Machu Picchu with my wife last September, where we took photos and filmed video footage for Destination Peru a travel agency and tour service based in nearby Cusco, Peru. You can view some of the photos from Machu Picchu and Huayna Picchu in this gallery.
I filmed a ton of steadicam footage while I was there, walking through the ruins and trails, and I thought that the nearly-raw footage might be useful to future travelers who are trying to get an idea of what the terrain is like and what they can expect. Here is a piece I put together with composer Richard Williams:
Also, here’s the walkthrough of Machu Picchu:
Here’s a walkthrough of the hike from Machu Picchu to the top of Huayna Picchu (the peak that we see so prominently behind the ruins):
During November and December of 2012, I had the pleasure to film several weeks of construction time-lapse in Gibraltar for SoEnergy International (formerly Energy International). The time-lapse footage was included in the following piece, produced by Roar Media in Miami, FL.
Here’s a version with an added voiceover and project overview:
When a casual viewer sees something like this, they may assume that there was a large crew involved with the production, and that they were able to operate in sterile, controlled environments. In reality, the story behind the time-lapse is far more interesting.
I’ve updated my demo reel! It has a bunch of projects I’ve done since my last reel (plus a few old clips that never made it into any previous reel). Enjoy it and let me know what you think!
Ryan Abeo, AKA RA Scion (of Common Market), and his wife Mariangela are two of my favorite people to work with. My first real music video was for “Soothsayer,” part of RA Scion’s Victor Shade project. I’m still not sure how or why they trusted me to make that video since I was new to the Seattle hip-hop scene. It’s still one of my favorite projects, mostly because of the people I was able to work with, and it was a pleasure to get together again and make something totally different.
“Soothsayer” was very cinematic at times, very theatrical at others, very dramatic, very austere, and filled with insanely specific symbolism. “Guttersnipe Bridge” lies somewhere on the opposite side of that spectrum: it’s stripped-down, candid, friendly, and simple. We see Ryan driving his car through traffic in Seattle, picking up his daughter from ballet practice, and heading to a show at The Crocodile. (Madison gave us a few great casual and beautiful dance moments, fulfilling my secret goal to work dancing into every music video I possibly can.)
In an age of rap videos filled with strippers and cocaine, we really wanted to make something honest, with integrity about the life that the artist leads. I hope you enjoy it!
Garrett’s favorite photos from 2012, taken by either Garrett or Jill Gibbons for Aderyn Productions.