Visual storyteller specializing in music and dance media. Based in Seattle, serving the world.
- TV ads for Liberty Coin & Currency
- Republic Services Roosevelt: Generating Power from Refuse
- Blackmagic 4K tests: battery life, data and record time
- Timelapse for Buzzfeed
- “Sharper Tool; Bigger Weapon” – The RA Scion redux
- Three web Spots for Familyshare.com
- Garrett Gibbons Demo Reel 2013
- Ayron Jones & The Way – Feedin’ From the Devil’s Hands
- You don’t know what the word “Storyboard” means, do you?
- Dance choreography films for Katie Baillie
- How to film and edit dance
- Walking through Machu Picchu
- Theoretics – “Lights On” (Official Music Video)
- Copy seeks to become the new Dropbox
- Zipline TV Ad
Category Archives: Publishing
Here are two TV spots I filmed and edited, working under the direction of Mike Johnston at Bigger Picture in Seattle. The is Liberty Coin & Currency, based in Portland, Oregon. The campaign is based around pairs of people who are fundamentally opposed in some way or another, who agree that Liberty Coin & Currency is the place for coins and gold.
The Presidents spot was a lot of fun. Besides two great actors and some fun period costumes, the hair and makeup was amazing. These two men completely transformed for this part.
The Twins spot is based around a classic rivalry between two colleges: the Oregon State University Beavers and the University of Oregon Ducks. The twins were each played by the same actor, and this was a challenging spot to nail down timing on because of the banter involved.
Buzzfeed used one of my timelapses for their latest YouTube video, “The Science of Being a Teenager.” My clip starts around 0:35 and is also the final shot. They made a great video, check it out!
I was asked to make three very different web spots for Familyshare.com, all during the period of about one month. The budgets were decent but the turnaround time was extremely fast, so it was an interesting challenge to get all of these out the door within such a short timeframe.
The first spot is essentially a short film, meant to be a non-cliche, unconventional Christmas message that could be shared during the holidays. It was only six days from pitching the treatment to finalizing the edit. During that time I found the location, auditioned and hired actors, hired a wood carver to make some custom pieces for the story, rented the other props, and began pre-producing a second web spot for Familyshare.com.
Based on “The Street” by Allan Seager (published in Vanity Fair in 1934), but often misattributed to Harry Buschman and others, here is “The Window”:
It’s been a while since I’ve updated my demo reel. Maybe I was just waiting for the right musical inspiration? This one is long – just over four minutes – but I also made a 90-second sizzle reel for those with less interest or shorter attention spans. Thanks for watching! It’s been an amazing last few years.
Here’s the full-length version, set to “On Saturnalia Eve” by RA Scion (feat. Blake Lewis):
Also, the 90-second version, set to “Woodwalker” by RA Scion (feat. Mark Shirtz):
Here’s the latest music video I’ve directed, “Feedin’ From the Devil’s Hands” by Ayron Jones and The Way. This group was awesome to work with, and I’m also especially grateful for the other Seattle-based musicians and performers (including Sir Mix-a-Lot, Grynch, Davin Stedman from Staxx Brothers and Kitty Kitty Bang Bang) for being involved.
I highly recommend checking out some of their other work, including this bluesy jam, “Baptized in Muddy Waters,” produced by the excellent Session Seven Media in Seattle. Ayron Jones & the Way will be playing at Bumbershoot 2013, and their full-length album will be released this Fall.
Dancer, teacher and choreographer Katie Baillie hired me to direct, film and edit two of her pieces of choreography. She took care of the dancers and costuming; I picked the set, lighting, and the film-related aspects. The resulting two pieces are very different from each other, but showcase her diversity as a choreographer.
I primarily used a Canon 5D mkiii for these shoots, supported by an 8′ Kessler Crane, which was a lot of fun to haul out into the field. Thankfully, Luke Wesson helped me tote gear before he took behind-the-scenes photos.
I was fortunate enough to visit Machu Picchu with my wife last September, where we took photos and filmed video footage for Destination Peru a travel agency and tour service based in nearby Cusco, Peru. You can view some of the photos from Machu Picchu and Huayna Picchu in this gallery.
I filmed a ton of steadicam footage while I was there, walking through the ruins and trails, and I thought that the nearly-raw footage might be useful to future travelers who are trying to get an idea of what the terrain is like and what they can expect. Here is a piece I put together with composer Richard Williams:
Also, here’s the walkthrough of Machu Picchu:
Here’s a walkthrough of the hike from Machu Picchu to the top of Huayna Picchu (the peak that we see so prominently behind the ruins):
The latest from Theoretics: “Lights On”!
This is Casey Sjogren‘s music video debut as a director, though he’s been making quality content for a few years now. He directed, edited and co-produced this video. Domenic Barbero was our DP and RED Epic camera operator for the indoor footage. I co-produced with Casey, was I the gaffer for the indoor footage, and was the 2nd unit DP for the car footage (both Mark rapping in the car as well as the drivelapse footage of the city at night), which we shot on a 5D mark iii.
This track comes from their second release, “Plenty of Anything,” the same EP that gave us “Go.” Theoretics is a blast to work with, and I hope to continue collaborating with them in years to come.
I recently shot a series of 30-second and 15-second television ads for Canopy Tours Northwest, a zipline adventure company on Camano Island, WA. The ads were produced by Bigger Picture, directed by Mike Johnston, and I was the DP and editor. Sound design was also an integral aspect of this campaign, and Mike Johnston’s work with the audio engineers at Clatter & Din turned out great. This was easily the most fun I’ve had on a shoot in a long time.
During November and December of 2012, I had the pleasure to film several weeks of construction time-lapse in Gibraltar for SoEnergy International (formerly Energy International). The time-lapse footage was included in the following piece, produced by Roar Media in Miami, FL.
Here’s a version with an added voiceover and project overview:
When a casual viewer sees something like this, they may assume that there was a large crew involved with the production, and that they were able to operate in sterile, controlled environments. In reality, the story behind the time-lapse is far more interesting.